In Parade, you play someone caught up in a web of lies told by everyone around him except his wife. If we’re having a down day, we just have to look in the eyes of our scene partners and pray that they’ll carry us through.īen, in Dear Evan Hansen you played someone caught up in a web of his own lies. And the supporting cast and all of our colleagues onstage, we rely on each other. It’s a joyful enterprise, but if I didn’t have a team of people offstage pushing me onstage, I don’t know if I would actually make it out there. In order for me to go to the bathroom, which I have one opportunity to do the entire show, I’m jogging up two flights of stairs and racing back down. ( All the performers laugh.) I mean, we’re all laughing because we know what that’s like. Also, many of our houses on Broadway were built as vaudeville houses. So it’s been a wonderful joy slash challenge slash emotional journey to confront both the hilarity and the absurdity of that situation, which David Lindsay-Abaire and Jeanine Tesori have set up so brilliantly, while also confronting the mortality issue.Īnd you had some doubts about whether or not you still were up for it?ĬLARK Yes. You didn’t mention that this particular fictitious disease comes with a life expectancy of 16, and she turns 16 in the show, so she knows she’s facing her last days. Would you quarterback this team, but instead of one game a week, you do eight? And instead of half a year, your season is going to be 52 weeks?” That was the proposal, so I did pause for a while, just thinking about the physical and emotional exertion of this particular role. It’s sort of like if 20 years from now, someone went to Tom Brady and said, “Hey, we’ve got this great idea. It’s the biggest role I’ve ever done - I barely leave the stage - so that was also intimidating. Was that an intimidating assignment?ĬLARK It was incredibly intimidating, but I love the challenge of it, and I love being able to revert back to the joy and the physical spontaneity of being a teenager again - that, to me, was the most appealing part about the role. At 63, you play a 16-year-old with an affliction that causes her to age four times as fast as usual. Victoria, you’ve done many different kinds of amazing things over decades in the theater, but I can’t imagine you’ve ever faced a challenge like originating the role of Kim in the musical version of Kimberly Akimbo, which was originally a play. Let’s go around the horn and talk about how you came to these roles. You can listen to or read the entire conversation below. With a combined 27 Broadway productions - not to mention an Oscar, two Grammys and six Emmy nominations - between them, it will not come as a surprise that the group had a lot of smart insights, provocative ideas and mutual admiration. Three others have previously been nominated but have not yet won: Sara Bareilles, 43, a best actress in a musical nominee for Into the Woods (her two prior noms came in the original score category) Josh Groban, 42, a best actor in a musical nominee for Sweeney Todd and Corey Hawkins, 34, a best actor in a play nominee for Topdog/Underdog.Īnd then there’s Jessica Chastain, 46, a best actress in a play nominee for A Doll’s House, who is up for a Tony for the first time. Two of the participants - the most senior and the most junior - already have a Tony on their mantelpiece: Victoria Clark, 63, a best actress in a musical nominee for Kimberly Akimbo, was nominated on four prior occasions as well, winning best actress in a musical in 2005 for The Light in the Piazza and Ben Platt, 29, a best actor in a musical nominee for Parade, was nominated once before, and won, in 2017, for Dear Evan Hansen. Treat Williams, Star of 'Everwood' and 'Prince of the City,' Dies in Motorcycle Accident at 71
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